(Click image to  comment)
4 pieces of artwork will be featured each month for critique,  The artwork will then be moved to our archive of artwork reviews, making them available at anytime.

I hope all will join us in this exciting members' online critique service! Enjoy! Donna
How do I submit my artwork for critique review?

Submit your image to: critique@frankbettecenter.org

Note:
High resolution image is best, dimensions not less than
800 (w) or 900 (h) pixels. Crooked or blurred images will not be considered. Artist must be a current member of FBCA

1. Include your name, short bio/artist's statement, title of artwork and email address.

2. Give a brief description of your intent for the artwork, what you feel is successful and what you feel may not be successful in the artwork.

3. Ask our viewers one question you would like to have addressed in their comments.

How do I comment on the artwork?

1. Click on the image(s) for a larger view of the painting and the comments form.

2. All comments will be shared with the artist. Your comments may be featured on the review page.
 
FBCA is proud to announce "Critique My Artwork!", a new Member Benefit and a service to our FBCA website viewers. All artists, beginners to professionals, learn and grow from having their artwork critiqued. This new service will  promote a conversation between artists, art collectors and  website visitors.

Each month four artists will be exhibited for your critique. Donna Stirnaman will moderate the conversation beginning  with her own comments. The exhibited artists are encourage to join the conversation.

Below is the first artwork for critique, followed by information on how to submit your comments and/or artwork.

"Yellow Carnations" Fractured Series I, oil painting by Donna StirnamanTo begin this series I have the honor (and anxiety) of offering my own painting  for critique!  Not only am I the FBCA webmaster but I am also an accomplished watercolor artist; Donna Stirnaman.

I have been painting seriously since 1996 in watercolor, enjoying success with my watercolors but have always wanted to move into oils.

"Yellow Carnations"  is my first serious attempt at oil painting.

I  admire Paul Signac and Seurat, pointillism techniques and Monet's freedom of strokes. 

Paul Signac, used very precise short strokes in his painting of " The Papal Palace Avignon". I was inspired to try the same style but with greater freedom of  movement in my painting stokes.

In "Yellow Carnations" I feel I have achieved the movement of the light through the painting, providing  restful areas for the viewer while keeping  the excitement of movement.

                                                            My question: Do I need to add more darks in the leaves?                
                                                           
                                                            Enjoy, Donna

"Critique My Artwork!"
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