How do I submit my artwork for critique review?
Submit your image to:
critique@frankbettecenter.org
Note:
High resolution image is best, dimensions not less than
800 (w) or 900 (h
)
pixels.
Crooked or blurred images will not be
considered. Artist must be a current member of FBCA
1. Include your name, short bio/artist's statement, title of artwork and email address.
2. Give a brief description of your intent for the artwork, what you feel
is successful and what you feel may not be successful in the artwork.
3. Ask our viewers one question you would like to have addressed in their
comments.
FBCA is proud to announce
"Critique My Artwork!",
a new Member Benefit and a service to our FBCA website viewers. All
artists, beginners to professionals, learn and grow from having their
artwork critiqued. This new service will promote a conversation
between artists, art collectors and website visitors.
Each month four artists will be exhibited for your critique. Donna Stirnaman will
moderate the conversation beginning with her own comments. The
exhibited artists are encourage to join the conversation.
Below is the first artwork for critique, followed by information on how
to submit your comments and/or artwork.

To
begin this series I have the honor (and anxiety) of offering my own painting for
critique! Not only am I the FBCA webmaster but I am also an
accomplished watercolor artist;
Donna Stirnaman.
I have been painting seriously since 1996 in watercolor,
enjoying success with my watercolors but have always wanted to move into oils.
"Yellow Carnations" is my first serious attempt at oil painting.
I admire Paul Signac and Seurat, pointillism techniques and
Monet's freedom of strokes.
Paul Signac, used very precise short strokes in his painting of
"
The Papal
Palace Avignon". I was inspired to try the same style but with
greater freedom of movement in my painting stokes.
In "Yellow Carnations" I feel I have achieved the movement of the
light through the painting, providing restful areas for the viewer
while keeping the excitement of movement.
My question: Do I need to add more darks in the leaves?
Enjoy, Donna